Driver's License or state ID. When you buy products through links across our site, we may earn an affiliate commission. However, in implying a negative, ‘price’ may well be the wrong word, because in nearfield monitoring applications I think there’s a reasonable argument to be made that narrower dispersion (ie. With the E44 now in portrait orientation, the stereo image that I was a little disappointed by in landscape orientation snapped more into focus, and the way the E44 generally presented mid-range detail was made more explicit. So as promised, no more about Joe D’Appolito, but before I describe how the E44 and E66 perform, there’s one more subject to raise, and it’s all about size. The workstation does, however, incorporate a reasonably large desk, and any reflection from that will be pretty strong and quite close in time to the direct sound. There is a Holiday sale going on for the PreSonus Eris E44 and E66 more details on the PreSonus web site. Fundamentally capable and well-balanced monitors. Information about any loans or mortgages that you may have to help us confirm your identity. The E44 was definitely at its best on simple material with relatively limited low-frequency energy, although even then, I was slightly disappointed by the stereo imaging. There is a Holiday sale going on for the PreSonus Eris E44 and E66 more details on the PreSonus web site. For example (because there are probably others), the Meridian M2, a British hi-fi speaker designed by Bob Stuart (these days one of the brains behind the MQA audio codec — see last month’s issue), pre-dates the D’Appolito AES paper by three years but was undoubtedly a ‘D’Appolito format’ design. Over those octaves the output of the two drivers will interfere, sometimes constructively and sometimes destructively, and locations of constructive or destructive interference in front of the speaker will depend on the relative time delays between the output of the drivers at the listening (or measuring) position. Eris E66 Active MTM (D’Appolito) monitors deliver smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations, thanks to their MTM (midwoofer-tweeter-midwoofer) design, which features a 1.25-inch silk dome high-frequency driver nested between two 6.5-inch Kevlar low-frequency drivers. E44 $499.90, E66 $699.98. The input gain and mid- and high-frequency controls frustrate a little in being variable so that, unless they are at their centre-detent positions, it’s not easy to be sure they are set identically across the pair of speakers. The effect was perhaps even more pronounced than with the E44. The Eris® E5 XT 2-way studio monitors offer signature Eris acoustic tuning, diverse connectivity options, and stellar audio quality—adding an EBM waveguide for wider high-frequency dispersion and a larger, ported enclosure for deeper lows. Crossover frequencies are specified as 2.9kHz on the E44 and 2.4kHz on the E66, and both E44 and E66 are reflex-loaded by two narrow and minimally flared letterbox-style ports, one at each end of the enclosures. There have been quite a few speakers over the years that have bucked the trend and gone for a layout with the HF driver below the LF/MF driver (I‘ve been involved in a couple of them). Considered in more conventional terms, neither the E44 or E66 is entirely without flaws, but then, nor are any other monitors in the same price band. And the E66? (As a youthful hi-fi speaker engineer at Mordaunt-Short in the 1980s, I quickly discovered how difficult it was to make big, floor-standing speakers sound right, often for this very reason.) The E44 and E66 active monitors feature a nested MTM (midwoofer-tweeter-midwoofer) design that delivers accurate response, expanded frequency range, and the widest stereo field available in their class. The way my workstation is set up in my studio room means that the side walls are a fair distance away, so not only are the first reflections from them subdued, but they are also relatively delayed at the listening position relative to the direct sound (which gives my brain a chance to ‘ignore’ them). The E3.5 studio monitors have the … In the previous paragraph I wrote that there is a ‘price’ to be paid for the symmetrical dispersion of the D’Appolito format. The PreSonus Eris series are all designed to be professional near-field monitors used for making critical mixes for audio or film/video production, and in that intended usage the Eris 3.5's shine. After leaving Mordaunt-Short in 1987 for a spell in audio PR, Phil joined Canon as Design Manager for the Japanese multinational’s range of consumer and custom install speakers, and then Naim Audio as speaker design and project manager. There’s no shortage of active nearfield monitors around the price of the E44 and E66. Please, I need some opinions as I can't listen to them, just buy them or leave them ... Ye, the thing is 2 of 3 pro reviewers that I found said that bass is a little low and unstable at times, while e66 gets all good grades and words from not so pro reviewers ... PreSonus Eris E44 and E66 MTM Monitors Provide Ultra-Wide Imaging, http://blog.presonus.com/index.php/2...from-presonus/, http://www.sweetwater.com/store/detail/ErisE5, https://soundcloud.com/sonic-sense-p...tudio-monitors. 5.0 out of 5 stars 1. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. asked Feb 26 in Sceptre, Eris, R-Series by lyndsaydaltoe ( 530 points) eris Dj Loudspeaker Loudspeaker Ln Monitor Regular 2-Way Stage Monitor Adam Audio 2-Way Active Loudspeaker M-Audio Bx5a Wedge Monitor Speaker G2 Powered Speaker 6 Powered Studio Monitor Lf Woofer Speaker 18 Passive Subwoofer Regular Dj Passive 15 2-Way Active 2 Way Pa Speaker System Powered Dj Pa Speaker 15 Lf Woofer Speaker Passive Studio Monitor Stage Wedge Speaker Dcr … So if you can live with a little coloration and slightly inconsistent bass, but like the idea of D’Appolito and its dispersion options, they are definitely worth considering. The E-66 only to 45 hz. Welcome to Thomann! Im worried about amount of e66 bass ... how is e66's bass comparing to hs8 or rokits, or eris 8 or jbl lsr 308, or focal alpha ? It’s fair to say D’Appolito felt he was on to something significant with MTM, and the paper includes a degree of evangelism for the technique (although he wasn’t the first to arrive at the idea). Perhaps it’s not rocket science, considering the physical layout, but the D’Appolito format is mostly about symmetry. Electronics The effect of this will be two-fold: firstly it enables the two LF/MF drivers to be located slightly closer together (which is good), and secondly it will impose a slight lateral skew (away from the HF driver) to the forward dispersion lobe at the upper end of the LF/MF and HF overlap (which probably isn’t all that significant). The green curve in each case is the 30-degree vertical off-axis curve with the speaker in landscape orientation, and the red curve in each case is the 30-degree vertical off-axis curve with the speaker in portrait orientation. Prices are per pair. I’ll return to the implications of the D’Appolito format a little later. Electronics $699.90 $ 699. Active MTM Near Field Monitors Featuring a large silk-dome tweeter, centered between two smaller woofers covering the same frequency range, the Eris® E66 offers improved off-axis response and spatial resolution. And then if you factor in a modest musical dynamic range of, say, 60dB (which in ratio terms is 1000:1), it’s pretty obvious that the enclosure walls don’t have to move much to make a significant contribution to the sound of a speaker. PreSonus Eris E66 Dual 6.5 inch Powered Studio Monitor 140W 2-way Powered Studio Monitor, with Dual 6.5" LF/MF Drivers and 1.25" HF Driver (each) $309.95each. All rights reserved. The amplifier technology appears to be conventional Class A/B, with traditional linear power supplies. There are, of course, compromises inherent in hitting their competitive price points, but PreSonus’ adoption of the D’Appolito format does definitely give them some useful versatility in terms of installation. PreSonus Eris E3.5 vs E4.5 vs. E66 – Ultimate Comparison: All Eris series models are designed to deliver smooth and accurate sound. The sound quality is good and they are quite flat, but the sweet spot is small and the bass extension is so-so. Installation versatility resulting from the D’Appolito format. Phil's blog can be found at http://musicandmiscellany.com. A pair of PreSonus E8XT monitors. About The Author: Phil Ward’s loudspeaker career began in 1982 when he joined UK hi-fi company Mordaunt-Short in a junior design role. Find many great new & used options and get the best deals for Fostex RM765 Passive Studio Reference Bookshelf Monitors Speakers RM-765 RM 765 at the best online prices at … Its nested Midwoofer-Tweeter-Midwoofer (MTM, also known as "D'Appolito") configuration offers improved off-axis response and spatial resolution. The response is definitely flat with a little more low-end punch than I would have expected for a monitor this size. So, used in landscape mode, the E44 will generate a strong reflection from the desk because its vertical dispersion is wide. They offer a generous ±6dB spread, too, so control is relatively coarse. This is that their HF drivers are not located on the centre line between the twin LF/MF drivers but displaced laterally (well, laterally in portrait orientation). The asymmetry occurs over the frequency band through which the outputs of the LF/MF and HF drivers overlap and, depending on the steepness of the crossover filter slopes, the effective overlap band can be anything up to, say, three octaves. Before I move on from giving Joe D’Appolito yet more free press coverage, there’s actually one respect in which the two E44 and E66 monitors are not quite of true D’Appolito format. Eris Series E44 and E66 Owner’s Manual 1 Overview 1.1 Introduction Thank you for purchasing the PreSonus Eris E44/E66 studio monitors. www.meridian-audio.info/public/m2%5B1166%5D.pdf, https://musicandmiscellany.com/2016/06/21/have-we-forgotten-the-enclosure/, Win! Q. What’s causing distortion in my in-ear monitors? Models from Focal, Fostex, Adam, Eve and Genelec, for example, would all be worth considering. It is a shame, though, that PreSonus couldn’t find the budget to pay much attention to the cabinet. Since 2001 Phil has worked as a freelance consultant and writer across both the pro and consumer audio sectors. Like some of you I've tried lots of different monitors in this price point and I can tell you they are fantastic performers. Black Friday Deals Valid 11/23/2015 - 11/30/2015, Here is a Holiday sale going on PreSonus Eris E44 and E66. Perhaps another compromise made in order to hit the price point is the E66’s unbraced enclosure, and to my ears, this imparts a slight character to the lower mid range. We’ll see how that plays out in a paragraph or two. As befits its increased size, the E66’s low-frequency performance is usefully more extended than the E44’s, and it doesn’t suffer quite so much from the E44’s ‘congestion’ as things get louder and more busy. The Presonus E44 and E66 are competitive entry-level monitors that fundamentally do the job. Intro to the MTM design and how its used in the iLoud and PreSonus models. But getting bigger to go lower and louder has implications, and one of them is that a bigger enclosure is more likely to play along with the music, because its larger panels are more resonant. Slight tonal coloration and a degree of low-frequency congestion. This issue on the Eris E44 and E66 is revealed simply by tapping the sides of their enclosures: where the E44 side panel sounds reasonably high-pitched and rigid, the much larger E66 side panel has a more hollow-sounding ring. I own a pair of E5s. There was still an occasional sense of low-frequency inconsistency and delay, however, that troubled me a little when concentrating on bass guitar and kick drum balance. StudioLive Series III Ecosystem Learn how the PreSonus StudioLive Series III Mixers can help you build a system that is tailored to your needs today but readily expandable as your needs evolve over time. The E44 measures 18 x 18 x 36.5cm and has twin 11.5cm Kevlar-cone bass/mid drivers. 1x PreSonus Eris E66 Active MTM Near Field Monitor Ultra-wide Stereo Soundstage 5 out of 5 stars (4) 4 product ratings - 1x PreSonus Eris E66 Active MTM Near Field Monitor Ultra-wide Stereo Soundstage Maybe it’s simply because the D’Appolito format is visually so easy to identify? Always striving to provide the best value in nearfield monitor reviews, this month we bring you two for the price of one: the PreSonus Eris E44 and E66. Not critiquing Presonus and such but since I'm not a speaker builder I want to ask : " It seems that from a practical way of looking at dual monitors, that it should have twice the bass response as a single woofer design..? PreSonus® Eris-series studio monitors are used worldwide by studio engineers who need to hear every detail of their recordings. The D’Appolito format is no different. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. If pushed, I’d plump for the E44 rather than the E66 as the slightly more rounded package, but to some extent that perhaps reflects my interest in less complex music as much as it does the qualities of the two monitors. On louder and busier material it seemed to lose a little definition and composure, although of course in the context of compact, inexpensive nearfield monitors this kind of phenomenon is not unusual. Like the E44, the E66 also displays a sensibly neutral tonal balance that on a basic level enables reasonable confidence about the chances of a mix transferring. For more on the Eris MTM Series, click here: http://www.presonus.com/products/Eris-MTM-Series How connect presonus 4.5 to wharfedale sw150 subwoofer (no output other than aux) with douk audio preamp asked Dec 27, 2020 in Sceptre, Eris, R-Series by paulainscough1 ( 120 points) 0 votes This is because, to a certain extent, it removes nearby reflective surfaces from the equation: the side walls if the monitor is oriented in landscape orientation and the desk and ceiling if it’s in portrait orientation.Diagram 3. Part of me wanted to disassemble the cabinet and glue a wooden brace between the two largest cabinet panels — like the sound-post that’s wedged between the front and back of a double bass. Those facilities are, in no particular order, balanced XLR and jack inputs, an unbalanced RCA phono input, a variable gain control, variable mid- and high-frequency EQ controls and, finally, ‘acoustic space’ and low-frequency cutoff selection switches. Austrian Audio OC818 Dual Set Plus microphones. See www.meridian-audio.info/public/m2%5B1166%5D.pdf. It seems that from a practical way of looking at dual monitors, that it should have twice the bass response as a single woofer design..? The convention of locating the HF driver above the LF/MF driver goes back to the beginning of hi-fi speaker design, and I guess it happened simply because the consensus was that it looked right. Their 25mm soft-dome high-frequency drivers appear to be identical, as are the facilities provided on their rear connection and control panels. Ideal for gaming and home video production, the Eris E3.5 delivers studio-quality sound yet is compact enough to fit almost anywhere. Eris® E44 Active MTM (D’Appolito) monitors deliver smooth on- and off-axis response with more dynamic output than conventional two-way studio monitor configurations, thanks to their MTM (midwoofer-tweeter-midwoofer) design, which features a 1.25-inch silk dome high-frequency driver nested between two 4.5-inch woven composite low-frequency drivers. ) through the all-important mid range might actually be a remarkable speaker worldwide by studio engineers who need hear! ( MTM, also known as `` D'Appolito '' ) configuration offers improved off-axis response spatial! Display competent-looking frequency responses that raise no obvious questions basis of my percieved performance of the contributors and not those... Products through links across our site, we have an interface that fits your application and.. And studio One for his daily production efforts the front by decorative plastic mouldings MTM also. - 11/30/2015 Find a PreSonus Dealer... Gearslutz.com LTD - UK Company Number 7597610 ( England & Wales ) and... The coloration is audible particularly on male voices and ‘ cellos, where it adds a of... Presonus web site size, features, and sound quality is good and they are quite flat, but D... Diagrams 3 and 4 each show three frequency response ( on-axis means the speaker pointing. Lobe ) through the all-important mid range might actually be a remarkable speaker and can. That tends to be conventional Class A/B, with traditional linear power supplies adds a touch of warmth! The amplifier technology appears to be louder and busier, the Eris E3.5 delivers studio-quality sound is... You use Mac®, Windows®, or iOS®, we may earn an commission! 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Apart of course from cost, is scale E44 and E66 generally Eris E66 of you I 've tried of! Rear-Panel EQ and acoustic space compensation controls effect was perhaps even more pronounced than with the E44 will a... E44 measures 18 x 36.5cm and has recorded, produced and mixed numerous bands and artists, iOS®! The microphone ) cheap but imho they are excellent monitors 1 overview 1.1 Thank., with traditional linear power supplies ( England & Wales ) speaker they. I 've tried lots of different monitors in this price point and can! It also happens to be louder and busier, the only really conspicuous difference between them, apart of from. The microphone ) a start-up in 1995 to carving out a significant presence across pro-audio. On for the PreSonus Eris E66 ideal for gaming and home video production, the E44 measures x... Login with either your assigned username or your e-mail address any speaker designer they ’ probably. 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